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Two fabulous performers on the same bill….

Bill Mize … An amazing touch, killer tone and a sense of taste that can’t be beat.”
-Vintage Guitar Magazine
Music City Roots Video https://www.youtube.com/watch?v=JCt4K0caApM

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Grammy-winning guitarist Bill Mize is a son of Tennessee, and a fitting representative of
his state’s rich musical heritage. His critically lauded fingerstyle compositions are fluid
and intricate and their delivery masterful. One suspects an influential teacher; “I received
most of my musical education from a cheap Zenith radio,” says Mize, who as a child
drifted off to sleep to the decidedly non-sleepy lullabyes emanating from Nashville’s
WLAC and WSM and Knoxville’s WNOX.
Bill is a past winner of the Winfield National Fingerstyle Guitar Competition, and
received a GRAMMY Award for his collaboration with musician and storyteller David
Holt on the recording Stellaluna. Popular acoustic guitar compilations “Windham Hill
Guitar Sampler” by Windham Hill Records and “Masters of the Acoustic Guitar” by
Narada Records have included his works. Bill’s music has been featured in a number of
films and documentaries, notably in Emmy-award winning Ken Burns productions
“The National Parks: America’s Best Idea” and “Country Music.” ” Mel Bay
Productions transcribed Mize’s second CD, “Tender Explorations,” into a songbook.
Bill will be playing some tunes off his new cd “The Southwind” and will be joined by
special guests, Beth Bramhall and Beth Youngblood.
www.billmize.com

Cruz Contreras:

Raised between the rugged lines of Tennessee and the long shadows of Michigan, Contreras has spent nearly thirty years forging his path through the Americana musical landscape. He’s a multi-instrumentalist, songwriter, bandleader, producer, and storyteller whose voice cuts through noise like a well-honed blade.

He got his start at just 15, playing guitar behind his younger brother Billy Contreras at fiddle competitions—long before Billy became a world-renowned fiddler, known for his work with George Jones, Sierra Ferrell, Ricky Skaggs. But it was a moment in 1993 that sealed Cruz’s fate: finding himself in a room with the Father of Bluegrass, Bill Monroe. That room, that sound, that presence—it lit a fire that’s never gone out.

First with Robinella and the CCstringband, then as the fire at the heart of The Black Lillies, Cruz helped carve a sound that feels as old as the hills and as wild as the road. His songs have topped the Billboard and Americana charts, picked up Independent Music Awards, and earned him a nomination from the Americana Music Association as an emerging artist — though his music suggests he was never chasing trends to begin with.

He’s stood on stages from Conan O’Brien’s late-night set to the Grand Ole Opry — the latter over 40 times — and drawn praise from Rolling Stone, NPR, American Songwriter, and Vanity Fair. Contreras has toured with Robert Earl Keen and the Turnpike Troubadours, collaborated with John Oates, and shared stages with Old Crow Medicine Show, The Travelin’ McCourys, Tyler Childers, Mavis Staples, Elizabeth Cook and more. A festival veteran, Cruz and The Black Lillies have performed at Bonnaroo, Merle Fest, Jazz Fest, Red Ants Pants, Stagecoach, High Sierra, DelFest, Pickathon, Mile Zero, Cayamo, to name a few. But he doesn’t play for headlines, but for the quiet connection — the still moment in a crowded room when a lyric hits home like a memory you forgot you had.

Now touring behind his debut solo album Cosmico, Cruz is joined once more by a band of road-tested companions under the name Cruz Contreras and The Black Lillies. Together, they bring with them a catalog of songs that stretch across time — from the familiar past to the hopeful unknown.