Izaak Opatz’s music has always been about longing, run through with nostalgia for the passed-by and out-of-reach. His first two albums, Mariachi Static and Extra Medium, were propelled by a longing for specific people and places, made relatable by wry humor, thoughtful simile and close observation. More recently, he’s been writing songs thatlong for an alternative reality, for differentpossibilities than the short, doomed menu offeredby tech lords and the kakistocracy failing to regulate them.Songs that push back against the coercive pressure to indulge in small conveniences at the expense of personal privacy, a 20th-century attention span and the steady drip of a monthly subscription. in stays on the tracks and it’s a satisfying roll. His recordings, solo and with Sons Of Rainier have found their way into the permanent library of hobos, widows, fry cooks, and fancy pants alike. In addition to his 2 releases with Sons Of Rainier he has a handful of self-released full length solo albums out, including one all instrumental album recorded on an Amtrak train, and the most recently released Lonesome Splendor In The Circus Tent (2024)