is a composer, songwriter, singer and player of instruments since his early teens.Born in Jamaica, Clinton became the bassist, vocalist and lyricist of the mythic Gladiators at the age of 19. He was also a session musician for Coxsone Dodd at Studio One and Lee ‘Scratch’ Perry’s at Black Ark in the 70s, two of the main producers on the island at this time. There Clinton composed some everlasting bass lines for wellbknown artists like Yabby You, Jimmy Riley, Max Romeo, Junior Byles and many others. After leaving Jamaica in 1987, Clinton Fearon started a new career in Seattle. Him and some of the musicians of The Gladiators took advantage of the extra time remaining on their visa, at the end of the US tour, to started a band in the Northwest: The Defnders. The band built a nice following in the area but split after five years. Clinton Fearon finally formed his own band in the mid 90s in Seattle with local musicians: Boogie Brown Band.Clinton Fearon recorded eight albums with Boogie Brown Band and tour with them in the PacificNorthwest and Europe intensively, but also other places in the US and South America.Since 2005 and the release of Mi An Mi Guitar. Clinton is also giving magical performances in solo acoustic. In2012, he released his second acoustic opus: Heart And Soul, which gathers 16 songs wrote between 1969-1984, while he was a strong member of the mythic Gladiators in Jamaica.With just vocaland guitar, Clinton is playing his music all over the world, in clubs, theaters, festivals and other cultural centers.Each song of Clinton Fearon is a strong message coming from the heart of a man who is dedicating his life to help a better world to come. With chiseled music and poetic lyrics, he opens reggae to a wider audience who simply loves his beautiful songs.
Medieval & Spanish blues
Guitar & Songs
Ready for a unique and talented take on a wide range of musical traditions? Claude Bourbon is known throughout Europe and Americafor amazing guitar performances that take blues, Spanish, and Middle Eastern stylings into uncharted territories.
Claude’s inimitable style incorporates all five digits on each hand dancing independently but in unison, plucking, picking and strumming at such speed and precision that his fingers often seem to melt into a blur. Thousands of people in the UK, Europe and USA have enjoyed listening to this virtuoso and for the majority of his audience it is an experience that compels them to return again and again to hear and watch him play, as his fingers lightly dance over the strings of his guitar and create a unique sound that is ’Claude’.
It is very hard to describe the almost endless amalgam of different influences in Claude’s playing, all melting into each other, as he moves from classical openings, across a whole continent of cultural roots, from the Balearic’s to the Balkans, and then across to the Mississippi Delta, and shoehorned into all that is music that would not have been out of place in the courts of Emperors and Kings.
Claude Bourbon weaved his songs through the audience as if on a journey through life taking in different flavours of Europe and beyond. His Spanish medieval blues evolved into Gypsy, Eastern European, with a splash of Paco de Lucia, Delta Blues and more. Holding audience attention under a musical spell.
It’s not easy to begin to describe the breadth or mastery of the music you will hear if you are fortunate to catch one of Claude’s gigs, it is a sort of sensory experience like no other. A top master of his craft and never appearing to be rushed, he has impeccable timing and makes things that one can only marvel at seem simple.
Now based in the UK, some of this guitarists’ influences allow us a fascinating insight into this remarkable musician; Paco De Lucia: Deep Purple’s Richie Blackmore; Joaquin Rodrigo; JJ Cale; JS Bach….
Claude has played countless venues, including Glastonbury Festival, Isle of Wight Festival, Colne Great British & Blues Festival, Rock O’Z Arene, Avenches, Switzerland, among others. He has shared the stage in Europe and the USA with countless musicians, Calvin Russel, Charlie Morgan (Elton John, Gary Moore), Jan Akkerman (Focus), Steve Grossman (Miles Davis), Herbie Armstrong ( Van Morisson), Jose barrense Dias and many more.
Experience an evening of exploration in the unique ambiance of the Thumb
Chris Weist, Craig Patterson, Chris Zink, Aaron McCloskey, Taylor Shuck
Bluegrass has become a mainstay in Colorado. The music of the mountains speaks to us and we can feel it in our souls. When a band like Wood Belly comes along to channel it, the sky is the limit. Led by a pair of prolific songwriters, their songs are carefully and collectively crafted to ring out with honesty and passion.
Wood Belly blends traditional bluegrass with modern songwriting and whether you’re spinning your partner around or hanging on every word, the result is the same. You’re left smiling and wanting more. 2018 has been an exciting year as the group released their debut album, “Solid Ground” and won the prestigious Telluride Bluegrass Festival band competition.
Wood Belly was born when Chris Weist (Mandolin) met Craig Patterson (Guitar) and Chris Zink (Dobro) at the Rockygrass Festival in 2015. Within a year, they had teamed up with Aaron McCloskey (Banjo) and Taylor Shuck (Bass) and the music immediately fell into place. Since then the band has played at an ever-expanding list of great venues including the Mishawaka amphitheater, the Fox Theater (Boulder), and Cervantes (Denver). Their festival resume includes the Telluride Bluegrass Festival, Rapidgrass, the Durango Bluegrass Meltdown, the Keystone Bluegrass and Beer Festival, The Wyoming State Bluegrass and BBQ festival, Snowygrass, Grapes and Grass, and more.
A new and enchanting sound has emerged from the hotbed of the Colorado roots music scene. Masontown, a young band with a concept as timeless as the Rocky Mountains, has alighted onto a bluegrass community that has already produced some of the best that the acoustic music world has to offer. But Colorado, and the wider world of modern music, hasn’t quite heard this yet.
A lauded fiddle champion and classical violinist. A veteran bluegrass mandolin player and composer. One of Colorado’s jazz guitar greats reborn as a flatpicking sensation. An upright bassist with roots running deep in the classical and jazz traditions. These are the individual elements that come together to create Masontown.
Masontown’s sound is a exciting take on the American acoustic tradition. At once fresh and familiar, the group unites the sounds of bluegrass, old-time, folk, and new acoustic music into a sonic melting pot that hearkens back to our deep musical traditions while remaining defiantly modern in conception. Echoes of the poignant exploration of the Matt Flinner Trio blend with the fierce drive of Bill Monroe and the plaintive song-craft of Cahalen Morrison and Eli West. It’s no surprise that the members of Masontown have shared the stage with many of these musical icons that their sound evokes.
The listening halls and dance floors of Colorado have already begun to hail the arrival of this new force in the acoustic music community. Masontown is a band on the move, driven to delight the ears, touch the hearts, and move the feet of generations of music lovers in Colorado and far beyond.