I left a bit of space in August and September and happened to get one of my heroes!!  He is not to be missed.

Robbie Fulks is a singer, recording artist, instrumentalist, composer, and songwriter. His current release,  Bluegrass Vacation on Compass Records, returns him to his bluegrass roots, with alarge group of  masterful musicians including Sam Bush, Jerry Douglas, Justin Moses, Ronnie McCoury, Alison Brown,  David Grier, Tim O’Brien, Todd Phillips, John Cowan, Brennen Leigh, Randy Kohrs, Sierra Hull, Stuart Duncan, Shad Cobb, and Chris Eldridge. Across 11 new original songs (and one freewheeling interpretation of the Delmore Brothers), Robbie covers themes like small-town blues, the endurance of  childhood memory, inebriation, love, divorce, the role of music in strengthening family bonds, losing a loved one to Alzheimer’s, and bluegrass itself.
His most recent release, 2017’s Upland Stories, earned year’s-best recognition from NPR and Rolling Stone among many others, as well as two Grammy® nominations, for folk album and American roots song (“Alabama At Night”).

Fulks was born in York, Pennsylvania, and grew up in a half-dozen small towns in southeast
Pennsylvania, the North Carolina Piedmont, and the Blue Ridge area of Virginia. He learned guitar from his dad, banjo from Earl Scruggs and John Hartford records. He attended Columbia College in New York CityIn 1983 he moved to Chicago and joined Greg Cahill’s Special Consensus Bluegrass Band. He taught music at Old Town School of Folk Music from 1984 to 1996, and worked as a staff songwriter on Music Row in Nashville from 1993 to 1998.
His early solo work — Country Love Songs (1996) and South Mouth (1997) — helped define the
“alternative country” movement of the 1990s. For most of the present century, Robbie has been playing acoustic music through microphones, which lets him give more attention to his flatpicking and banjo playing, and complements his more sepia-toned subject matter — the slings of time, the troubles of common people.

His repertory of traveling players includes folks like Shad Cobb, Missy Raines, Robbie
Gjersoe, Jenny Scheinman, Matt Flinner, Don Stiernberg, and Jesse Cobb. However, two non-acoustic recent side projects are his 2018 duo record with Linda Gail Lewis, Wild! Wild! Wild!, an NPR favorite which leans to rock-and-roll and classic country-and-western, and his double-vinyl reinterpretation of the Bob Dylan record Street-Legal, which is titled 16, is musically unbounded and is no one’s favorite.
Radio: multiple appearances on WSM’s “Grand Ole Opry”; PRI’s “Whadd’ya Know”; NPR’s “Fresh Air,” “Mountain Stage,” and “World Cafe”; and the syndicated “Acoustic Cafe” and “Laura Ingraham Show.” TV: PBS’s Austin City Limits; NBC’s Today, Late Night with Conan O’Brien, Later with Carson Daly, and 30 Rock. From 2004 to 2008 he hosted an hourlong performance/interview program for XM satellite radio,
“Robbie’s Secret Country.” Artists who have covered his songs include Sam Bush, Kelly Hogan, Andrew Bird, Mollie O’Brien, Rosie Flores, John Cowan, and Old 97s.
Robbie’s writing on music and life have appeared in GQ, Blender, the Chicago Reader, DaCapo
Press’s Best Music Writing anthologies for 2001 and 2004, Amplified: Fiction from Leading Alt-Country, Indie Rock, Blues and Folk Musicians, and A Guitar and A Pen: Stories by Country Music’s Greatest Songwriters. As an instrumentalist, he has accompanied the Irish fiddle master Liz Carroll, the distinguished jazz violinist Jenny Scheinman, and the New Orleans pianist Dr. John. As a producer his credits include Touch My Heart: A Tribute to Johnny Paycheck (Sugar Hill, 2004) and Big Thinkin’ by Dallas Wayne (Hightone, 2000). Theatrical credits include “Woody Guthrie’s American Song” and Harry Chapin’s “Cottonpatch Gospel.” He served twice as judge for the Winfield National Flatpicking Guitar competition. He tours yearlong with various configurations.
Besides country and bluegrass music, Robbie is fiercely fond of Charles Mingus, P.G. Wodehouse, quantum mechanics, his wife Donna, comedy in almost all forms, cooking, swimming laps, the past, Arthur Schopenhauer, Universal horror movies, his grandson and even his sons, coastal towns in the offseason, and rye whiskey, though in nothing like that order.

SHOWMAN AND COOLE

SUPER-DELUXE FIDDLE, BANJO, AND SONG

Kenen Flannery

Scrapetown

Scrapetown is the latest band project for brothers John and Billy Parker.

We scraped this all-star crew together for some shows this summer.  The band includes Billy on mandolin, John on upright bass, Tyler James on the 5-string, Peter McLaughlin on guitar, and Isaac Callender on fiddle.  We will do some originals written by Peter, Isaac, and Billy, some bluegrass standards, and some more obscure songs, usually on the theme of the land and the people who work it.  We are also hoping to have an original tune about the Wyoming State BBQ Championship and Bluegrass Festival!

The band has a couple hundred years of experience (but don’t hold it against us) and we are looking forward to playing with old friends in a new arrangement.

Maddie Cody, Megan Cody, and Will Pavilonis

The Cody Sisters

Maddie and Megan have been making music together since the ages of six and eight, respectively. Raised on the Colorado folk and bluegrass scene—with encouragement from their dad, who often played guitar around the house and was the original bass player in the band—festivals like RockyGrass were high notes amidst a lifelong musical awakening filled with live performances, songwriting, and travel.

With Maddie on banjo, Megan on mandolin, and both women trading turns on the guitar, the sisters built a following quite early for their resonant harmonies and meticulous instrumental chops.The Cody Sisters took on a new depth in 2020 when bassist Will Pavilonis became part of the band, bringing fresh dimensions to their arrangements and sound.

The Finley Creek band ran from 1977 o about 2000 with lots of members incliding John, Mariss, Billy, Tim, Mike, Bill A, Matt, Tom, Dale, Ellie, Dave and maybe some I forget.  We are planning a , “Fifty-ish reunion our, ne night only show where we will get together all the members we can round up for a fun night of music and reminising.

Have a listen to these lads, they pack a wicked sound.https://www.youtube.com/watch?v=yA-BE3ITe_Uhttps://youtu.be/QFg1KejOPD4https://www.youtube.com/watch?v=_5dZSsurDEUhttps://www.youtube.com/watch?v=y6V84_rt_7Mhttps://www.youtube.com/watch?v=COBgyU9LeKE

Jeff Plankenhorn’s songwriting, expressive vocals, and musicianship are front and center on his latest album, Alone At Sea, produced by Colin Linden (Bruce Cockburn, Keb Mo.) New sonic territory is explored on this gem of a long player.

The title track, “Alone at Sea,” is a poignant ballad nestled between two of the album’s many up-tempo tunes.It envisions an adventurous soul who’s searching for self-awareness and learns to appreciate solitude, not unlike Plank’s experience of moving to Canada’s Vancouver Island from a 20-year stint in the landlocked confines of Austin, TX.

Plank is a highly respected musician known for his skill as a slide guitarist, songwriter, and vocalist. He’s gained recognition both as a solo artist and as a sought-after session musician. Plankenhorn’s musical style encompasses elements of blues, folk, Americana, and roots music, creating a sound that’s uniquely his own.

For Jeff Plankenhorn, there’s nothing quite like the feeling of bringing people together to experience the joy music brings. He’s so good at it that he’s been recognized with Austin Music Award nominations for Musician of the Year, Best Guitarist, and a win Best Misc. Instrument – for “The Plank” a hybrid lap steel guitar Jeff designed himself. In 2016-2017, he also earned Album and Song of the Year nominations for his album, SoulSlide, and the single “Trouble Find Me.” Listeners quickly get that Plank loves a good groove, but he’s also become quite accomplished at composing ballads, as proven by two of the album’s other standouts, “Bluer Skies” and You’ll Stay.” These days, Plank happily finds himself on the road over 150 days a year. “I like the idea that people get uplifted at my shows; just one of the great ways to escape the hubbub of day-to-day living. I like the idea that everybody who walks in — I don’t care if you’re a biker or a drag queen — I want you there. Music is supposed to bring people together.” His music does exactly that — whether people come to listen or do a little dancing. Or ideally, both.

“…his distinctive voice & sparse instrumentation that’s actually layered tones that are subtle & border between the darker Bob Dylan tunes & the melodic meanderings of Tom Waits. Very likable because Plankenhorn is a careful distance from basic mainstream artists. He walks his own road & sometimes it seems he makes his own road.”
– John Apice/Americana Highways 9/28/23

 TOM CATMUL ha been hereo\ many times and we always look forward to the musicians he brings us from his songwriting workshops.  Tom is one of those guys who makes the Missoula music scene so special.

  Tom Catmull is a word enthusiast. They are the larger part of what makes his world go round. He’s spent the last twenty-five years in his adopted hometown of Missoula, MT presenting words in ways to make them as alluring as possible to people who crave such things. The tricks useful to achieving this feat include infectious melody, thoughtful arrangement, storytelling, some finger picking and a clean shirt. The last couple of decades have included seven full length albums, a few television appearances (Montana PBS 11th and Grant), a hundred theaters performances (The Wilma, The Rex, The Roxy, The Dennison, etc), dozens of festivals, countless honkytonks and two ridiculously fun national anthems. He’s been the supporting act for Robert Earl Keen, Charlie Musselwhite, Junior Brown, Asleep at the Wheel and a dozen others. There exists some confidence that his roots driven Americana songs are worthy of your time. Don’t be fooled, though. The acoustic guitar, harmonica and hat are just cheap ploys to get the words out in front of you.